Edward Hopper is commonly known for his ‘lonely’, ‘moody’ images of New York and New England, and I have always wanted to explore this in his work further. Hopper stated that his purpose was, “to force this unwilling medium of paint and canvas into a record of their emotions,” he also believed that this was a shared desire of other great artists over the course of history. Upon researching his work I have realised many historians attribute the loneliness in his paintings to the world around him in Continue reading →
Now that Autumn is upon us I have been going on more walks on the Sussex Downs. This time of year always causes me to reflect, and to take a moment and appreciate the beautiful landscapes. Autumn is my favourite season for a number of reasons; it is the perfect weather for just a cardigan or jumper; the crunchy leaves; the fresh crisp air in the morning mist; cosying up in the evening with a blanket and cup of tea while it’s raining outside! Autumn has an atmosphere that is like no other season, in the urban environment as well as in nature.
What better way to celebrate the season than through art. I have chosen three images that I feel have captured the essence of Autumn. The melancholic and dark depiction of autumn is present in all of my choices, as is the transitional nature of decay and change that has inspired artists for centuries.
My MA dissertation is on the cultural legacies of slavery and the slave trade in the objects of National Trust collections. Many objects made in the 18th century began their lives being harvested and attained by slave labour, although this history is not often recognised. Continue reading →
I am completing a four-month internship at Worthing Museum and Art Gallery in West Sussex. The first week of my internship was getting used to the collection by doing some research for the History Files, and working on CALM; a collections management system used for managing archives, records, and collections. Continue reading →
“Artists should look at the reality and brutality of modern life in all its colour, nature with all its imperfections – that should be the challenge to the modern painter not the didactic idealization of the past. The new generation should forge a new path.”
The Pre-Raphaelite Brotherhood (PRB), founded by John Everett Millais, William Holman Hunt and Dante Gabriel Rossetti was an artistic group that responded to modernity in England, especially the rapid urbanisation of suburbs and outskirts in 1850’s London. The PRP was original in that their works were not light-hearted or anecdotal compared to other subjects at exhibitions. Many artists portrayed contemporary life in the countryside where the effect of industrialization was less dramatic and impactful. Continue reading →